Rietveld Sandberg Research

Algorithmic Cultures

Guided by an approach that blurs lines between art and science, senior researcher Flavia Dzodan, has begun researching the topics of artificial intelligence, algorithms and new technologies.
about

Guided by an approach that blurs lines between art and science, senior researcher Flavia Dzodan, has begun researching the topics of artificial intelligence, algorithms and new technologies at Rietveld Sandberg Research. Since these topics are too broad and encompassing, too urgent to remain confined only to the realm of science, we believe that art and artistic research cannot and should not avoid them. Instead, they should become central to the way we think of artificial intelligence and the role of the artist and the designer in these technologies. The research can take many forms and we consider research in Artificial Intelligence to be a truly interdisciplinary field that is open for artists, designers, thinkers and makers to explore the facets of technologies that shape culture, politics and human experiences.

An algorithm can be considered a comprehensive set of instructions for accomplishing a specific task. This concept finds its roots in mathematics, representing a systematic, sequential problem-solving process. Everyday processes like multiplication and division of numbers exemplify the application of algorithms. These procedures, meticulously defined with clear instructions for each step, consistently produce identical outcomes, regardless of whether a computer or a human being executes them.1

1: Roman Verotsko, ‘Algorithmic Art. Composing the Score For Visual Art’, (1994 with edits in 1996 & 1998) www.verostko.com (accessed 05 February 2024).

In the past, ancient societies devised systematic methods for quantifying and assessing various aspects of their environment. Additionally, they formulated systematic approaches for activities such as fabric production, grinding, ignition, and cooking. When precisely articulated and structured, these methods could be regarded as algorithms. Notably, the field of weaving technology holds significance in the historical evolution of computing. The fundamental concept is that if we can articulate a step-by-step procedure for accomplishing a specific task and possess the requisite resources and expertise, then the execution of that task becomes achievable.2

2: Ibid.

Before Computers even existed as a fantasy, people Programmed Looms. Prior to the IBM punch-card computers and Charles Babbage's Analytical Engine , an early mechanical device capable of executing tasks resembling what we presently refer to as a 'program' existed: a loom . This machine possessed the capability to handle extensive data processing to the extent that the resulting fabric it manufactured could exhibit intricately detailed images that could be easily confused with engravings.3

3: Sarah Laskow, ‘Before Computers, People Programmed Looms’, The Atlantic, September 16, 2014, www.theatlantic.com (accessed 05 February 2024).

In this artistic evolution, from looms to produce fabrics with programmed patterns to fractal art created through complex mathematical operations, artificial intelligence is a logical addition to the research capabilities of an institute such as Sandberg Instituut.

As part of the Artificial Intelligence cell, Flavia Dzodan has set up a monthly research cafe, supervises CrD candidate Femke Herregraven and the fellowships, runs a monthly lecture series open to the public and participates in symposia, workshops and events outside the Sandberg Instituut.
The Prompt Whisperer research group
The Prompt Whisperer research group started in February 2023 and is formed by Mariana Fernández Mora, Barbara Visser, Zachary Formwalt, Benjamin Schoonenberg and Roosje Klap. They join Flavia Dzodan (Senior Researcher of the research group Algorithmic Cultures) and Eva Hoonhout (coordinator of the research group Algorithmic Cultures) and meet on a monthly basis to discuss theoretical and artistic research about the way that algorithms and different manifestations of Artificial Intelligence shape not only artistic production but also the wider societal and political implications of these technologies.
event

Algorithmic Cultures – A lecture on the impossibilities of algorithmic translation. "Amorino Latente/ Latent Cupid” revolves around the translation of art and its emotional impact through algorithmic and computational processes.

Algorithmic Cultures – The Gerrit Rietveld Academie and Rietveld Sandberg Research are pleased to announce the appointment of Flavia Dzodan as Professor (Lector) of Algorithmic Cultures. Dzodan’s work marks a significant contribution to the GRA’s mission of fostering a research culture that embraces expansive, interdisciplinary, and non-traditional approaches, which reflect the complex and critical issues of our time. Her appointment underscores the GRA’s commitment to recognizing and supporting research practices that transcend conventional academic boundaries, weaving together theoretical exploration and artistic expression.

event
24
oct '24
Images as Allies: Archiving, Storytelling, and the Power of Digital Memory

Algorithmic Cultures – Slow AI Every day, we consume hundreds of images. We use them, ignore them, absorb, object and devour them. They are the digital material that shapes our online worlds, seducing us into the pull of our devices.

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Algorithmic Cultures – Slow AI For the start of the new season, we are happy to invite you to the first material playground of the Slow AI x Artificial Worlds sessions, organised together with ARIAS and hosted by Dorin Budușan and Sofía Fernández Blanco. The material playground will take place in Auditorium 101 of Sandberg Instituut on September 19th from 9:30 to 13:30. The invitation is open for all Rietveld, Sandberg and HvA students.

Algorithmic Cultures – During the Week on Algorithmic Cultures December 5th - 7th 2023 senior researcher Flavia Dzodan put together a three-day programme at Sandberg Instituut. The programme was an introduction to the research group on Algorithmic Cultures led by Flavia Dzodan, which was previously known as the A.I. research cell.

Algorithmic Cultures – During the symposium and round table discussion on Algorithmic Cultures on the 6th op December 2023, Flavia Dzodan launched her new essay ‘Haptic Mournings; Morning the Never-Made' about our increasing blurring relation to the digital world, the imagined and real.

event
07
dec '23

Algorithmic Cultures – Research Café We will explore the theoretical foundations of AI, delving into the intricate process of training AI models and understanding their underlying mechanisms. Through a hands-on approach, attendees will learn to craft prompts that resonate with AI applications, both text and image based, fostering a dialogue that can yield insightful text and evocative imagery as well as aid research practices. The session will have a generative approach, focusing on free to use applications. The goal is to use these tools as starting points for art making, design and research. Please bring your laptop as well as a notebook and pen.

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06
dec '23

Algorithmic Cultures – With Flavia Dzodan, Arif Kornweitz, Femke Herregraven, Mariana Fernández, Zachary Formwalt, Roosje Klap and Benjamin Schoonenberg.

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05
dec '23
A programme by Flavia Dzodan, head of the Research group on Algorithmic Cultures

Algorithmic Cultures – Week on Algorithmic Cultures is an introduction to the research group on Algorithmic Cultures. Algorithmic cultures refer to the dynamic and reciprocal relationship between algorithms and both human and non-human societies. We examine not only how algorithms are informed by and embedded within cultural norms, values, institutions, and behaviors but also how they, in turn, actively shape these dimensions. As algorithmic processes increasingly blur the boundaries of everyday life, they significantly influence the ways in which individuals and communities interact, engage with, and transform knowledge and culture. We share an interest in researching how algorithmic mediation can redefine power dynamics, ethical considerations, and the construction of reality itself.

Note that for the workshop by Enrique Gutierrez and Research Cafe you have to sign-up via the link attached.

event
05
dec '23
Part of the Week on Algorithmic Cultures

Algorithmic Cultures –

Algorithmic Cultures – Fellows 21/22 Wael el Allouche was one of the nine fellows in the academic year 2021-2022. The interview below is published in the online publication “Fellows Published” that was launched in November 2023.
fellowspublished.rietveldacademie.nl

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Algorithmic Cultures – Unionizing the Speculative is an informal gathering that invites precarious cultural workers whose value of labor is likely to be challenged under the influence of generative AI. Participants will explore the collective strategy of advocacy through Speculoos biscuits containing AI-generated images.

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13
oct '23
A lecture series on algorithmic hauntologies

Algorithmic Cultures – The series attempts to theorize an algorithmic hauntology, drawing on Jacques Derrida's notions around the spectral remnants of persistent and recurrent cultural artefacts that are encoded into technologies. If Carl Linnaeus defined the way we have codified nature through the publication of his foundational "Systema Naturae", what would a "Systema Algoritmus" entail?

event
20
apr '23
A workshop by Enrique Gutiérrez on how to apply algorithmic image creation with deep learning techniques for artists and creatives

Algorithmic Cultures – This workshop is designed for artists and creatives alike who are interested in exploring the use of stable diffusion and generative adversarial networks to enhance their work or creative pipeline. Hosted by: the Artificial Intelligence Research Cell at Sandberg Instituut.

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08
feb '23

Algorithmic Cultures – "Deterritorializing Intelligence is part of a series of events, meetings, symposia and public lectures in the frame of the ongoing Creator Doctus research of Femke Herregraven, which circumnavigates the historical, material and epistemological conditions of artificial intelligence. On this occasion, Femke invites students to her studio where she will engage in a ping pong dialogue with her supervisor Flavia Dzodan about the topics of their research involving AI, algorithms and computational technologies. This open studio moment will offer a glimpse into their research interests, methodologies and approaches to work in the context of their practice and their shared path at Sandberg Instituut".

event
27
oct '22
A workshop by research fellow Wael el Allouche

Algorithmic Cultures – Knowledge is a space, an abstract space where data points are collected, they form clusters of possible relations. AI, ML or NN have a way of finding connections within a dataset. It finds a solution or answers from a dataset. Data is an abstract term, but it can be as tangible as we like it to be.

Algorithmic Cultures – We are looking for 4 members who are interested in joining the kenniskring/ research group on a regular basis; whose work is already engaged with the topics of ‘AI and algorithms’ and the different perspectives and disciplines that relate to these topics. As a study group member, you would be committed to attending a minimum of 4 sessions throughout the year.

Algorithmic Cultures – Fellows 22/23 Technology, algorithms and A.I. are shaping our life’s while they also have major impacts on surrounding landscapes. With my background in the craft of stone cutting, I am interested in understanding how materials and landscapes are cut, fractured and broken up and how the fragmentation and reconstruction of the landscape is intimately connected with human skills, techniques and technologies.

Algorithmic Cultures – Fellows 22/23 As part of the fellowship program, Andrea López Bernal proposes for humans, us, to act art’ificially, in order to form new paradigms of inner and collective being. By using the performance as a tool to get closer to the state of the radical moment. Andrea is interested in the inbetween state, where the choreography meets reality and fuses creating constructed situations. Her intention is reflecting on the notions of Artificial Intelligence (AI) and discussing how performativity can work as an AI apparatus. In her practice, Andrea López Bernal explores the notion of authenticity in the various spheres of human experience, from love and friendship to work and political engagement. She does so by using a broad array of references and materials such as dental interventions, spirit stories, even tho immerges herself into unusual and sometimes challenging situations to investigate phenomena through the body, she combines these components to bitter sweet and surprising effect.

Algorithmic Cultures – Creator Doctus (CrD) For this occasion, Femke Herregraven has invited prof. dr. Rodrigo Ochigame who examines unorthodox models of computational rationality, such as nonclassical logics from Brazil, nonbinary Turing machines from India, and frameworks of information science from Cuba. Their research includes digital anthropology, the anthropology of science and technology, and the social dimensions of robotics and artificial intelligence.

project

Algorithmic Cultures – Slow AI focuses on developing methodologies for reimagining AI and algorithmic systems. It is a project initiated by Mariana Fernández Mora and a collaboration between the Visual Methodologies Collective (HvA) and the Sandberg Institute (GRA). This project is kindly funded by CoECI. The program includes monthly public research sessions where an invited artist, duo or collective, explore slow notions related to technology.